Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner. In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical.


Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures Songs for Seven Centuries. The Great Works for Voice. Nel labirinto della voce. Streams Videos All Posts.

Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

Give me a few words for a woman to sing a truth allowing sequensa to build a house without worrying before night comes. Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s.

One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s. The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units.

Rainy Day Relaxation Road Trip. For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between ecore soloist and her own voice Sequenza III was written in for Cathy Berberian.

Sequenza III, for voice | Details | AllMusic

The voice carries always an excess of connotations, whatever it is doing. Share on facebook twitter tumblr.


The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: Jazz Latin New Age. In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. AllMusic relies heavily on Bero. Drinking Hanging Out In Love. Please enable JavaScript in your browser to use the site fully.

Is this the most bizarre and technically difficult piece of vocal music ever written?

In Memoriam Cathy Berberian. Romantic Evening Sex All Themes.

From the grossest of noises to the most delicate esquenza singing, the voice always means something, always refers beyond itself and creates a huge range of associations. Introspection Late Night Partying. Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques.

Genre Vocal Music Classical.